INVISIBLE DESTRUCTION, 2025
Ellia art gallery, Paris, France
Tracing paper, acrylic paint, water, latex, glue, fishing wire

Suspended in space like a fragile apparition, a flower but not a flower embodies the instability of all that exists. Crafted from tracing paper, its petals are dyed in deep black and coated with latex, acquiring the uncanny texture of skin. This skin-like surface suggests both intimacy and exposure, a body on the verge of transformation, mutation, or decay.

Part of the collective exhibition IM-PERMANENCE
Curated by Elena Korzhenevich